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Original Poetry
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Midnight Muse Books:
The Poets' Page

 

 

 

Midnight Musings: Poetry (3)

Page 3 of 3

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Poetry Page 1
Poetry Page 2

 
"Landscape As A Nude"
(Archibald MacLeish)

She lies on her left side her flank golden:
Her hair is burned black in the strong sun:
The scent of her hair is of rain in the dust on her shoulders:
She has brown breasts and the mouth of no other country:

Ah she is beautiful here in the sun where she lies--
Not like the soft girls naked in vineyards
Nor the soft naked girls of the English islands
Where the rain comes in with the surf on an east wind:

Hers is the west wind and the sunlight: the west
Wind is the long clean wind of the continents--
The wind turning with earth: the wind descending
Steadily out of the evening and following on:

The wind here where she lies is west: the trees
Oak ironwood cottonwood hickory: standing in
Great groves they roll on the wind as the sea would:
The grasses of Iowa Illinois Indiana

Run with the plunge of the wind as a wave tumbling:
Under her knees there is no green lawn of the Florentines:
Under her dusty knees is the corn stubble:
Her belly is flecked with the flickering light of the corn:

She lies on her left side her flank golden:
Her hair is burned black with the strong sun:
The scent of her hair is of dust and of smoke on her shoulders:
She has brown breasts and the mouth of no other country.

 

"Bavarian Gentians"
(D.H. Lawrence)

Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.


Bavarian gentians, big and dark, only dark
darkening the day-time torch-like with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dio, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead me the way.

Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendour of torches of darkness, shedding darkness
    on the lost bride and her groom.

 

"The Soul Longs to Return Whence It Came"
(Richard Eberhart)

I drove up to the graveyard, which
Used to frighten me as a boy,
When I walked down the river past it,
And evening was coming on, I'd make sure
I came home from the woods early enough.
I drove in, I found to the place, I
left the motor running. My eyes hurried,
To recognize the great oak tree
On the little slope, among the stones.
It was a high day, a crisp day,
The cleanest kind of Autumn day,
With brisk intoxicating air, a
Little wind that frisked, yet there was
Old age in the atmosphere, nostalgia,
The subtle heaviness of the Fall.
I stilled the motor, I walked a few paces;
It was good, the tree; the friendliness of it.
I touched it, I thought of the roots;
They would have pierced her seven years.
O all peoples! O mighty shadows!
My eyes opened along the avenue
Of tombstones, the common land of death.
Humiliation of all loves lost,
That might have had full meaning in any
Plot of ground, come, hear the silence,
See the quivering light. My mind worked
Almost imperceptibly, I
In the command, I the wilful ponderer.
I must have stood silent and thoughtful
There. A host of dry leaves
Danced on the ground in the wind.
They startled, they curved up from the ground,
There was a dry rustling, rattling.
The sun was motionless and brittle.
I felt the blood darken in my cheeks
And burn. Like running. My eyes
Telescoped on decay, I out of command.
Fear, tenderness, they seized me.
My eyes were hot, I dared not look
At the leaves. A pagan urge swept me.
Multitudes, O multitudes in one.
The urge of the earth, the titan
Wild and primitive lust, fused
On the ground of her grave.
I was a being of feeling alone.
I flung myself down on the earth
Full length on the great earth, full length,
I wept out the dark load of human love.
In pagan adoration I adored her.
I felt the actual earth of her.
Victor and victim of humility,
I closed in the wordless ecstasy
Of mystery: where there is no thought
but feeling lost in itself forever,
Profound, remote, immediate, and calm.
Frightened, I stood up, I looked about
Suspiciously, hurriedly (a rustling),
As if the sun, the air, the trees
Were human, might not understand.
I drew breath, it made a sound,
I stepped gingerly away. Then
The mind came like a fire, it
Tortured man, I thought of madness.
The mind will not accept the blood.
The sun and sky, the trees and grasses,
And the whispering leaves, took on
Their usual characters. I went away,
Slowly, tingling, elated, saying, saying
Mother, Great Being, O Source of Life
To whom in wisdom we return,
Accept this humble servant evermore.

 

"The Holly"
(Walter de la Mare)

The sturdiest of forest trees
With acorns is inset;
Wan white blossoms the elder brings
To fruit as black as jet;
But O, in all green English woods
Is aught so fair to view
As the sleek, sharp, dark-leaved holly tree
And its berries burning through?

Towers the ash; and dazzling green
The larch her tassels wears;
Wondrous sweet are the clots of may
The tangled hawthorn bears;
But O, in heath or meadow or wold
Springs aught beneath the blue
As brisk and trim as the holly-tree bole
With its berries burning through?

When hither, thither, falls the snow,
And blazes small the frost,
Naked amid the winter stars
The elm's vast boughs are tossed;
But O, of all that summer showed
What now to winter's true
As the prickle-beribbed dark holly tree,
With berries burning through!

 

"Keep In The Heart The Journal"
(Conrad Aiken)

Keep in the heart the journal nature keeps;
Mark down the limp nasurtium leaf with frost;
See that the hawthorn bough is ice-embossed,
And that the snail, in season, has his grief;
Design the winter on the window pane;
Admit pale sun through cobwebs left from autumn;
Remember summer when the flies are stilled;
Remember spring, when the cold spider sleeps.

Such diary, too, set down as this: the heart
Beat twice or thrice this day for no good reason;
For friends and sweethearts dead before their season;
For wisdom come too late, and come to naught.
Put down "the hand that shakes," "the eye that glazes";
The "step that falters betwixt thence and hence";
Observe that hips and haws burn brightest red
When the North Pole and sun are most apart.

Note that the moon is here, as cold as ever,
With ages on her face, and ice and snow;
Such as the freezing mind alone can know,
When loves and hates are only twigs that shiver.
Add in a postscript that the rain is over,
The wind from southwest backing to the south,
Disasters all forgotten, hurts forgiven,
And that the North Star, altered, shines forever.

Then say: I was a part of nature's plan;
Knew her cold heart, for I was consciousness;
Came first to hate her, and at last to bless;
Believed in her; doubted; believed again.
My love the lichen had such roots as I,--
The snowflake was my father; I return,
After this interval of faith and question,
To nature's heart, in pain, as I began.